Attractions and Distractions: How to Compose Compelling Landscape Photographs
1. The Nature of Our Visual Perception
The way our eyes are naturally drawn to different parts of a scene is pretty interesting. As we look around, our brain automatically focuses on things it thinks are important. Some things get ignored while others grab our attention right away.
Our eyes seem to have evolved to prioritize certain aspects of what we see. Here are a few things that really catch our eye:
Bright areas
Areas with sharp and clear details
Areas with strong contrasts
Areas with vibrant colors and high saturation
These elements have the power to draw our attention, but they can also distract us from what we're supposed to be looking at.
I like to call them attractions and distractions.
Since we look at photos much like we do in real life, these attractions and distractions are important to consider. It's hard to say for sure which ones have the strongest pull because every scene is different and has its own unique elements.
So, the power of these attractions and distractions can vary from one photo to another.
2. The Impact on Photography
Take a look at the image below, where you can spot a bright white rock patch in the lower-left corner. The thing is, this rock patch kind of competes with the brightness of the central cliff and the waves crashing on it. It's like they're all trying to grab your attention at once!
The white patch in the lower-left corner distracts the eye. (RAW file)
I recomposed the shot and removed the white patch of rock. Your attention immediately moves to the water and the impressive cliff and doesn’t get hung up by the bright patch of rock.
So, when you're setting up a shot, make sure your main subject doesn't have to compete with something overly bright. You want your subject to really stand out and steal the show!
Getting rid of that white patch makes the composition way more pleasing to the eye. (Edited photo)
When you're taking a photo or editing it later on, it's important to keep these attractions and distractions in mind.
When it comes to editing your photographs, you can apply a similar approach to composition. For example, in the image below, the rocks in the foreground compete with the tiny figure.
This is the complete opposite of the tones I wanted.
The rocks in the foreground catch the eye and hold the eye, making the main subject less powerful.
So, I darkened the lower part of the frame while brightening and increasing the contrast of the figure and the ridge.
Darkening the foreground allows the eye to bypass the front and quickly move to the subject in the back.
Before the edits, your eye kind of gets stuck in the front, right? But after the simple edits, your eye effortlessly glides straight to the heart of the photo.
This is a classic example of how we can make the main subject stand out and give the secondary subject a bit of a toned-down, subtle touch through some clever tonal and color adjustments.
3. Attractions vs Distractions in Photography
Visual attractions and distractions play a pivotal role in shaping the composition of a photograph. They possess the ability to capture the attention of viewers, evoking emotional responses and forging lasting impressions.
While some may perceive distractions as undesirable elements, I argue that their strategic placement can enhance the overall impact of a photograph.
Visual attractions, such as leading lines, points of interest, and vibrant colors, are elements that draw the viewer's gaze. They guide the eye through the frame, creating a sense of depth and movement.
By masterfully incorporating these attractions into our compositions, we can steer the viewer's attention to the intended focal point, ensuring that our message or story is conveyed effectively.
4. Distractions as Composition Enhancers
While distractions may seem counterproductive, they have the potential to add layers of complexity and intrigue to a photograph.
When employed skillfully, distractions can serve as visual metaphors or invite viewers to explore the image further.
Furthermore, the judicious use of distractions can enhance storytelling within a photograph. By intentionally incorporating elements that divert attention, we mimic the unpredictability and complexity of real life.
These distractions add authenticity and depth to the narrative, making the image more relatable and engaging for viewers. As storytellers, it is essential to remember that life is not perfect, and it is through imperfections that we can capture moments that are raw, genuine, and emotionally charged.
In addition to their narrative value, visual distractions also offer compositional benefits. By juxtaposing busy backgrounds against a well-defined subject, we create contrast that directs focus and imbues the image with a sense of tension or dynamism.
Moreover, visual distractions can serve as frames within frames, offering viewers different perspectives and layers to explore, enriching the overall visual experience.
To achieve a harmonious balance between attractions and distractions, photographers must exercise careful restraint and intentionality.
We have to train our eye to discern and select visual elements that add value to the composition while discarding those that detract from the intended message.
5. Conclusion
When it comes to composing a photo, paying attention to the distracting elements within the frame is crucial for achieving visual balance. These elements, often overlooked, can greatly impact the overall aesthetics and message conveyed by the image.
By carefully considering and managing distractions such as cluttered backgrounds, bright colors that overpower the subject, or competing lines and subjects, we can enhance the focus and impact of our intended subject.
Distractions, though, can actually enhance a photograph by creating tension, adding layers of complexity, or even serving as context to the main subject.
A harmonious composition that balances both the main subject and its surroundings invites the viewer's eye to seamlessly engage with the image, resulting in a more powerful and captivating visual narrative.
What’s your approach?
What's your go-to strategy for arranging objects in your photos? Let me know in the comments!
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