Small-Group Landscape Photography Workshops

Groups are limited to 3–6 photographers, so I can spend time with everyone individually. In the field, I'll check in, look at what you're working on, ask about the choices you're making, suggest alternatives when useful, and help when you feel stuck. I won't simply tell you which settings or composition to use; the aim is to help you understand the choices you're making and become more confident making them yourself.

I’ll absolutely help when you need direction, but I don’t run workshops by placing everyone in the same spot and giving them a composition to reproduce. I may show you what I’m noticing, question a choice, suggest another focal length or direction, or help you simplify a scene. But the photograph remains yours. The goal is to help you understand why a decision works so you can make stronger choices when I’m no longer beside you.

That's completely fine. You don't need to arrive with a list of weaknesses or specific goals. We can look at your photographs and the way you work in the field to see where you're getting stuck. Sometimes what looks like a composition problem starts with lens choice; sometimes an editing problem begins much earlier, when the photograph is made.

We don’t believe in rigid schedules. A typical day may include an early-morning shoot, breakfast and some downtime, a post-processing or image-review session, followed by an afternoon and sunset shoot. The exact rhythm varies with the destination, season, weather, and available light. The approach is flexible, but never unstructured.

Weather is part of landscape photography, and sometimes the most interesting images come from conditions that initially look unpromising. Accommodation and the main logistics are planned, while our daily shooting locations remain flexible. We assess the conditions and choose where to go accordingly, rather than follow a fixed itinerary simply because it was written in advance.

Yes. Fieldwork and editing are treated as parts of the same photographic process. Depending on the workshop and schedule, we may work in Lightroom or Capture One, use Photoshop where relevant, and review both individual images and small selections. These sessions aren’t just about showing you how I would edit an image. We look at the decisions you made, what you're trying to communicate, what is and isn’t working, and how the processing can support the photograph rather than take it in a completely different direction.

It depends on the destination. Tuscany involves short, relaxed walks and is generally easy, while the Dolomites and Iceland require a moderate level of fitness, with some hiking on uneven terrain and, in the mountains, at altitude. We always move at a comfortable pace, but you should be prepared to carry your camera equipment and keep your bag reasonably light. You’re also never expected to push through a session if you don’t feel up to it. Each workshop page includes a detailed difficulty description.

You don’t need the latest or most expensive gear, but you do need a camera (mirrorless or DSLR) that allows manual exposure control, along with a sturdy tripod and a laptop with editing software for image reviews. A range of lenses—from wide-angle (for grand vistas) to telephoto (for picking out details in the landscape)—is recommended. Before the workshop, you'll receive a full packing and gear checklist tailored specifically to the destination.

The exact package varies by destination, so you should always check the individual workshop page. In general, the price includes photography tuition, accommodation during the workshop, local transportation and logistics, breakfasts, and selected additional meals. Flights, personal expenses, insurance, and some lunches or dinners are normally not included. Travel insurance with trip-cancellation and equipment coverage is strongly recommended.

Comfortable, high-quality accommodation is an essential part of the experience. Unless explicitly noted for remote wilderness expeditions, prices are based on single-occupancy private rooms with private bathrooms—giving you dedicated space to rest, charge gear, and back up your files each evening.

Because group sizes are strictly limited, each place and seat in our vehicle is normally reserved for a participating photographer receiving hands-on tuition. These trips are also planned around light, weather, early starts, field sessions, and post-processing rather than a sightseeing schedule.

For that reason, non-photographer partners usually can't join. Exceptions may be possible on some of the more relaxed destinations, depending on accommodation and transport. Please contact us before booking and we can discuss whether the specific workshop would be suitable.

A deposit is required to secure your spot, with the final balance due prior to the trip. Because accommodation, local transport, and logistics are reserved far in advance, deposits are non-refundable unless your spot can be filled. You can find full details on payment timelines and cancellation policies in the Terms & Conditions section of each workshop. Comprehensive travel insurance with trip-cancellation coverage is highly recommended for all participants.

You can join the waitlist. If a participant cancels, places are offered to people on the list. You can also request priority access for the following edition and hear about it before applications open publicly.